Detailed Notes on metafora
Detailed Notes on metafora
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metaphor, figure of speech that indicates comparison between two as opposed to entities, as distinguished from simile, an explicit comparison signalled because of the phrases like
Analysts team metaphors with other kinds of figurative language, like antithesis, hyperbole, metonymy, and simile.[three][want quotation to validate] The most generally cited samples of a metaphor in English literature originates from the "All the world's a phase" monologue from As You prefer It:
Avtorja ugotavljata, da je človekov konceptualni sistem v veliki meri metaforično strukturiran in da je metafora kot jezikovna figura sekundarni pojav, ker da jo omogoča šele metaforični koncept ali konceptualna metafora.
Explicación: es una satisfiedáfora impura. En ella se semeja a los golpes sangrientos con las crepitaciones de algún pan que en la puerta de un horno se nos quema. El autor compara los golpes con un sonido rápido y continuado que intenta alertar de algo.
“Los árboles calvos”: Se relaciona a la calvicie con el momento en que los árboles pierden sus hojas.
Las achievedáforas visuales son muy habituales en cómics y libros ilustrados, ya que suelen representar escenas de humor, o de cualquier otro tipo, sin abusar de las palabras o con el mínimo texto necesario.
Instructional psychologist Andrew Ortony offers far more specific detail: "Metaphors are necessary as being a communicative device because they allow the transfer of coherent chunks of properties -- perceptual, cognitive, psychological and experiential – from a automobile which is known to a subject which is less so.
While metaphors might be regarded as being "in" language, Underhill's chapter on French, English and ethnolinguistics demonstrates that language or languages cannot be conceived of in anything other than metaphoric conditions.
es un recurso de la lengua mediante el cual hacemos referencia a un elemento o palabra sin llegar a nombrarlo de manera clara y directa.
Para Benedetti, las manos de la persona amada son como una caricia o como la música, algo que le hace más agradable la existencia diaria.
Na sorden način v vsakdanjem govoru metaforično konceptualiziramo čas. Čas je pogosto podan kot premikanje, kjer je prihodnost pred opazovalcem, preteklost pa za njim. Ker ima premikanje prostorsko dimenzijo, jo dobi tudi čas, posledično pa tudi »hitrost« in podobni pojmi.
“Los libros son una puerta a otros mundos”: Se habla claramente acerca de los metafora libros y se les vincula con la capacidad de viajar, por lo que, a través de las historias presentes en los libros, es posible conocer acerca de otros lugares tanto reales como ficticios.
Kvintilijan je metaforo izpeljal iz primere in jo imenoval skrajšana primera. Razlikoval je štiri vrste metafor, po njegovem prihaja v metafori do pomenskega prenosa z živega na živo, z neživega na živo, z živega na neživo in z neživega na neživo. Primerjalna teorija je tako posebna oblika substitucijske teorije, saj razlaga metaforo kot izraz, ki ga je mogoče nadomestiti z dobesednim izrazom.
Numerous other philosophers have embraced the watch that metaphors may also be referred to as examples of a linguistic "group mistake" which have the probable of top unsuspecting end users into appreciable obfuscation of thought inside the realm of epistemology. Involved among the them will be the Australian philosopher Colin Murray Turbayne.[38] In his ebook "The parable of Metaphor", Turbayne argues that using metaphor is an essential element inside the context of any language technique which promises to embody richness and depth of comprehending.[39] Furthermore, he clarifies the constraints affiliated with a literal interpretation of the mechanistic Cartesian and Newtonian depictions in the universe as very little much more than a "machine" – a concept which continues to underlie Considerably with the scientific materialism which prevails in the trendy Western world.